ENGL 396A. Junior Proseminar

Sec. 2H: Poetry and Myth from the Elizabethans to the Modernists

 

Instructor: Tom Willard

Office: Modern Languages 330                         Phone and voice mail: 621-1154

Hours: M 12-1, W 10-11, and by appointment Email: willard@email.arizona.edu

 

Monday and Wednesday classes meet in Modern Languages 210

Friday classes meet in Modern Languages 412

 

Catalogue description: “This junior-level proseminar introduces students to methods and materials of literary research. Content of individual seminars will vary, based upon instructor.” This section will focus on the nature of literary classics and literary influence.

 

Objectives. To complete this course successfully, you must demonstrate understanding at least, and full achievement at best, of seven outcomes. They were framed by a committee of faculty who teach the course; numbers are for reference only and do not suggest relative importance.

 

1.      Make effective use of library resources at the University of Arizona and around the world, recognizing how information is organized and disseminated.

2.      Show familiarity with the major databases, essential reference works (such as concordances, dictionaries, and bibliographies), and scholarly articles and books in language and literature as well as related disciplines.

3.      Make correct, appropriate, and ethical presentation of research findings.

4.      Make fair representation of an author’s work, using paraphrase and quotation appropriately and documenting sources correctly.

5.      Summarize, evaluate, and critique secondary sources;

6.      Use primary and secondary sources to support original arguments in a variety of ways (e.g., as a point of departure, as theoretical grounding, as historical background, as evidence).

7.      Follow MLA guidelines for documentation and conventions (e.g., punctuation, subtitles, endnotes, bibliography), while sustaining a coherent and original argument about one or more texts.

 

Note: You demonstrate understanding and achievement of an objective by identifying and discussing successful examples from your graded course work. You demonstrate understanding only by identifying relevant examples from your graded course work and describing how you could make them fully successful. You do so in your portfolio of work from this and other courses.

 

Course plan. The below is only approximate and open to revision as needed.

 

Weekly plan. In a typical week, there will be a different emphasis each day.

 

Week 1. Jan. 12-14

Wed. Introduction. Poem by Graves (from handout)

Fri. Introduction to the COHLab, Sabio Gateway, Literature Online, Perseus Project. Project 1 due: Self-assessment

 

Week 2. Jan. 17-21.

Wed. Spring poems (anastrophe: the earthly Eros)

Fri. Oxford English Dictionary Online. Project 2 due: Response to reference article

 

Week 3: Jan. 24-28

Mon. Spring poems

Wed. MLA Handbook, chapter 1 and appendices (1-63, 289-90, 319-21)

Fri. University of Arizona Computer Based Training (UACBT)

 

Week 4: Jan. 31-Feb. 4.

Mon. Summer poems (catastrophe: laments for Adonis)

Wed. Project 3 due: OED exercise

Fri. Literature Resource Center

 

Week 5: Feb. 7-11

Mon. Summer poems

Wed. MLA Handbook, chapters 2-3

Fri. MLA International Bibliography; EBSCO

 

Week 6: Feb. 14-18

Mon. Fall poems (katabasis: Hermes Psychopomp)

Wed. MLA Handbook, chapter 4. Project 4 due: background on a myth

Fri.

 

Week 7: Feb. 21-25

Mon. Fall poems

Wed. MLA Handbook, chapter 5

Fri. Midterm quiz. 50 minutes. (Open book, open notes, open Internet access)

 

Week 8: Feb. 28-Mar. 4

Mon. Reading: Pericles, Prince of Tyre

Wed. Film screening. Project 5 due: background on a poet

Fri.: Film screening

 

Week 9: Mar. 7-11

Mon. Winter poems (anastrophe: Prometheus unbound)

Wed. MLA Handbook, chapters 6-7

Fri. T.B.A.

 

SPRING BREAK

 

Week 10: Mar. 21-25

Winter poems  Edited poem due Fri.

 

Week 11: Mar. 28-Apr. 1

Winter poems. Class anthology available at Fast Copy on Fri.

 

Week 12: Apr. 4-8

Readings chosen by class members

 

Week 13: Apr. 11-15

Readings chosen by class members. Documented essay due Fri.

 

Week 14: Apr. 18-22

Readings chosen by class members

 

Week 15: Apr. 25-29

Readings chosen by class members. Portfolio due Mon.

 

Week 16: May 2-4. Review

Mon.    Evaluations

Wed.    Sample examination questions

 

Exam Week: May 9-13

Fri.       Final exam (8:00 – 10:00 in Modern Languages 412)

 

Requirements (each component is worth 20% of the course grade)

 


Projects. These five projects will form the core of your portfolio (due Apr. 25). You may revise any of them, but should include all graded versions in the portfolio.

 

1. Self-assessment. Due Jan. 14. Review the seven learning objectives listed in the syllabus. Write a sentence or two about your understanding of each, including any questions you have about it. Refer to evidence you have from previous courses or abilities you have developed on your own.

 

2. Response to reference article. Due Jan. 21. Read John B. Vickery’s essay on myth in The New Princeton Encyclopedia of Poetry and Poetics. Write an essay of 500 words (give or take 10 percent) on some aspect of the essay. Include appropriate documentation.

 

3. OED exercise. Due Feb. 2. Read Shakespeare’s poem “The Phoenix and the Turtle.” Look up unfamiliar words or unusual usages in the Oxford English Dictionary Online. Then write an essay of 500 words (give or take 10 percent) on some aspect of the poem, including reference to at least two dictionary entries.

 

4. Background on a myth. Due Feb. 16. For the myth and poem or fragment assigned to you during the second week of class, collect information and prepare a summary for students who know about poetry and myth but not necessarily about this poet and myth. Write an essay of 500 words (give or take 10 percent) to introduce the myth and background source.

 

5. Background on a poet. Due Mar. 2. For the poet and poem assigned to you during the second week of class, collect different sorts of background information: biographical, bibliographical, and critical. Then write an essay of 500 words (give or take 10 percent) to introduce the poem; identify mythological allusions, images, or themes; and give suggestions for reading.

 

Policies. When you take this course, you agree to the following policies. Live electronic links to Internet resources on campus are easily accessible from the online syllabus <http://www.u.arizona.edu/~willard/370A/index.htm>.

 

 

I use the grading system in the university catalogue <http://catalog.arizona.edu/200405/policies/grade.htm>.   However, I believe that several factors figure in determining what is excellent, good,  satisfactory, and so forth: not only marks on quizzes and essays and exams but active  participation in the class, steady and timely work on class assignments, and conscientious  progress to understand and master course goals.     

 

•  To earn a grade of A in the course you must attend and participate in at least 42 of the 45 class meetings (your mid-semester conference counts as a meeting), complete all requirements on schedule, demonstrate full achievement of all course  goals, and earn at least 88 of the 100 available points on graded work. 

•  To earn a grade of B you must attend at least 40 class meetings and participate in the majority of them, complete all but a two assignments on schedule, demonstrate understanding of all course goals and achievement of most, and earn  at least 78 points on graded work. 

•  To earn a grade of C you must attend at least 38 class meetings, complete all but four assignments on schedule, demonstrate understanding of all course goals and achievement of some, and earn at least 68 points on graded work.

•  To earn a grade of D you must attend at least 36 class meetings, complete no fewer than half the assignments on time, demonstrate understanding of most course goals, and earn at least 58 points on graded work.

 •  To earn a grade of I[ncomplete] you must have completed all but one of the major  course requirements. This grade will be available only under exceptional  circumstances, such as a serious illness.