1:00-3:00 Joint Session: AMS and SEM

• Volker Schier, Ludwig-Maximilians-Universität, München:" Imaging Through Sounds: Singing the Holy Lance in Nuremberg, ca. 1550."
• Harrison Powley, Brigham Young University: "Interrelationships among the Arts in the Baroque."
• Theodore Burgh, University of Arizona: "Let the Music Play:Archaeological, ethnographic and textural reflections on musical artifacts and iconographic representations of Israel/Palestine during the Iron Age (1200-586 B.C.)."
• Brian Harker, Brigham Young University: "Louis Armstrong's New Orleans Heritage."

3:00-3:15 Break

3:15-5:15 Concurrent Session: AMS

• Douglas Ipson, Brigham Young University: "Eighteenth-Century SonataForm Theory and Mozart's Piano Sonata in D Major, K. 311."
• Deborah Weagel, University of New Mexico: "Schenker's Theory of Structural Levels Applied to Albert Camus' L'etranger."
• Hendrik van der Werf, Tucson, AZ: "Thirteenth-Century Motets in Music History 101"
• Larry Worster, The Metropolitan State College of Denver: "The Role of Interactive Listening Software in the Delivery of Music Courses Online."

3:15-5:15 Concurrent Session: SEM Haefer

• Sharon Poulson Graf, The Metropolitan State College of Denver: "Fiddles and Cardboard: Festivals as sites for negotiating musical values."
• Larry V. Shumway, Brigham Young University:" Unconventional Tuning and Fiddle Sonority."
• Ted Solis, Arizona State University: "I think It's a Guaracha: Genre coalescence in diasporic Hawaii Puerto Rican music."

8:30-10:00 Concurrent Session: AMS Oldani

• Suzanne Moulton, University of Denver: "The Case of a Composer's Intentions and Public Demand: Peggy Glanville-Hicks' Concertino Antico."
• Kay Norton, Arizona State University: "Deconstructing the Apostle Paul: Women and Music in Early Nineteenth Century Southern Worship."
• Antonia Banducci, University of Denver: "Musical Strategies in Carlos Saura's Carmen"

9:00-10:00 Concurrent Session: SEM SolÍs

• Mark Sunkett, Arizona State University: "West African Drumming: Looking for the Senegalese sound."
• Julie Strand, Arizona State University: "Improvisation Patterns in West African Balafon Performance."
• Blase S. Scarnati, Northern Arizona State University:"Exiled in the Land of the Free: BLACKFIRE at the edge of the Navajo rez."

10:00-10:30 Break

10:30-12:00 Joint session, AMS and SEM Haefer

• Alan Luhring, University of Colorado-Boulder: "Dance and Other Compound Rhythm in Ensemble Vocal Music."
• Robert D. Reynolds, Arizona State University: "Textless Choral Music Revisited"
• Sarah Wrathall, Brigham Young University: "Arvo Pärt's Six Versions of Fratres: An Analysis and Comparison."

12:00-1:30 Lunch, Mission Palms Hotel. AMS Business Meeting

1:30-3:00 Concurrent Session: AMS

• Hidemi Matsushita, Minnesota State University at Akita:" Minimalistic Devices in Tchaikovsky's Ballet Scores."
• Janice Dickensheets, University of Northern Colorado: "A Lexicon of Nineteenth-Century Musical Topoi."
• Lisa Harrington, University of Colorado-Boulder: "Melodic Tonicization in Fauré's Songs."

1:30-3:00 Concurrent Session: SEM Business Meeting

3:00-3:30 Break

3:30-5:00 Joint Session: AMS and SEM

• Dale Monson, Brigham Young University: "The Dramatic Tradition of Hasse's Artaserse, 1730-1740."
• Mark Davenport, University of Colorado-Boulder: "Thematic Transformation and Other Abstract Tendencies: Decoding an Early Seventeenth-Century Autograph Manuscript by William Lawes (c. 1635-38)."
• Richard J. Agee, Colorado College: "Ideological Clashes in a Renaissance Edition of Plainchant."

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