Conference Schedule
12:30-5:00 |
Conference Registration (NAU School of Music, Bldg. 37) |
2:00-5:00 |
Paper Sessions A & B (rooms 144 & 147) |
3:00-3:30 |
Coffee Break (room 143) |
7:30 |
Flagstaff Symphony Orchestra (Carmina
Burana), |
8:00-11:00 |
Registration (NAU School of Music, Bldg. 37)) |
8:00-8:45 |
Breakfast Reception (room 143) |
8:45-11:00 |
Paper Sessions C, D & E (rooms 144, 146 & 147) |
9:45-10:00 |
Coffee Break (room 143) |
11:00-11:30 |
SEM business meeting (room 144) |
11:45-1:15 |
Banquet Lunch & AMS business meeting (Union, Havasupai) |
1:30-2:30 |
Keynote Speaker Professor Richard Crawford, "Gershwin's Political Operettas (1927-1933)"(Cline Library Theater) |
2:30-3:30 |
Reception (Riles Building, College of Arts & Letters Reception area) |
3:30-5:00 |
Paper Sessions F & G (Bldg. 37, rooms 144 & 146) |
7:30 |
NAU Faculty Chamber Players Concert (Ardrey Auditorium) |
Tawanda Charumuka |
Matepe in the Context of the Mbira Dazvadzimu Cultural Hegemony |
Scott E. Antes |
The Folk Singers of North America: Heroes in a Musical Battle against Ethnocentrism |
Don Henriques |
Mariachi Musical Genres & the Construction of Postrevolutionary Mexican Identity |
Elina Skarpathioti |
The Impact of the Southwestern Ambience and Community on White Indie Rock Bands: Calexico and the Mexican Cultural Agenda |
Richard J. Agee |
The Printed Dissemination of the Roman Gradual in Italy During the Early Modern Period |
Laura McCormick |
Influences of Neo-Romanticism and Impressionism in Lili Boulanger's Work D'un martin de printemps |
Janice Dickensheets |
Novelistic Analysis and the Sonata Cycle: The Emergence of the Musical Novel in the Nineteenth Century |
Donelle Ruwe |
Girls Play Piano but Boys Should Not Play Flute?: Gender in 19th Century Pedagogical Novels |
John T. Brobeck |
Petit Enfant et mon ami: A Forgotten Poem and New Light on the Career of Jacotin Lebel |
Saturday, 8:45-11:00
Joann Kealiinohomoku, Cross-Cultural Dance Resources, Inc., chair
John J. Sheinbaum |
Where's That Confounded Bridge? Form, Groove, and Authenticity in Popular Music |
Barbara Davis |
Almost Heaven: Concepts of Identity and Immortality in the Aspen John Denver Tribute |
Matt Bourque |
The Precedents of "Close to the Edge:"Increasing Sophistication in the Compositional Techniques of the Progressive Rock Band Yes in the Songs of Fragile |
Sabine Feisst |
Schoenberg in America Reconsidered - A Historiographic Investigation |
Eric Smigel |
Music and Poetry of Changes: The New York School of Composers and Poets |
Michael D. Grace |
Crumb's A Little Suite For Christmas, A.D. 1979, and Giotto's Frescos for the Arena Chapel in Padua |
Brian Doherty |
"An American in Paris: the French Musical Studies of David Stanley Smith" |
Suzanne Moulton-Gertig |
The Art of Harp Performance in Late Eighteenth Century America: Avocation, Economic Necessity, and Questions of Authentic American Repertoire |
Shara J. Engel |
A Century of Song, Speech and Soul at First Institutional Baptist Church in Phoenix, Arizona |
Robin Ethridge |
Birmingham: The South's Great Symphonic City |
Demitra Apostolos |
Grand Entry: An Investigation into American Indian Performance in Wild West Shows |
Mark Sunkett, Arizona State University, chair
Joann W. Kealiinohomoku |
Enbodimnent; An Intrinsic feature of Music |
Karen M. Bryan |
Equity and Regional Opera: the rising influence of the American Guild of Musical Artists in the1940s |
Michael B. Vercelli |
Ritual Communication Through the use of Xylophones in Lobi Funeral Music |
Romeo P. Guzman |
Trancing Out: Perception and Reception of Hassan Hakmoun in American Club Culture |
Amy Holbrook |
Thematic Economy in the First Movement of Mozart's Piano Sonata in D, K. 576 |
Patrick Ryan |
The Influence of English Social Music on Haydn's Part Songs |
Bernard MacMahon & Allison McGourty |
Re-Hearing A Vital Work: The Anthology of American Music: American Popular Music 1926-1931 |
Tim Smith |
A Fugue Would Mend |
Arthur Lawton |
Aristoxenian Dynamis: Arithmetic and Geometric Sources |