The possibilities may appear to be endless, but fortunately they are
not.
Full of
sound and fury: is violence on television inflaming our children? (Spring,
1994). Tennessee Alumnus. On-line article.
Violence on television is a public concern, mainly now and then. In spite
of the specter of government regulation, blocking device threats, and
other means for limiting violent programming (including an age-based
rating system for televised violence), not a great deal seems to happen to
modify content.
The article quotes professors at the University of Tennesseee, Knoxville,
as saying that violent programming affects some people under some
circumstances, and since it is a consumer problem, regulation wouldn't
work. Dr. greer Fox would rather see the problem handled at the community
level--boycotts rather than legislation.
Among the iterated problems associated with television violence are the
lack of emphasis placed on damage done to the lives of portrayed victims
and their families and friends. Shown television violence usually ignores
the effects on the quality of life in the depicted neighborhoods. There
seem to be acts, but no consequences. Much programming aimed at children
or viewed by children shows violence as cute or endearing. Children, like
all people, become desensitived to violence through repeated viewings.
The article says that parental influence can do much to balance or negate
the effects of violent programming, but parents are often absent or not
much concerned even if on the scene.
Television effects is a heavily researched area, says the article, and
suggests that there must be something to the idea that television messages
can have influence. Why else would individual advertisers spend millions
of dollars to display their products and services. And here the articles
notes a trend: advertising costs money, so products and services must be
sold. To Whom? Well, currently the most heavily targeted demographic is
women, 18-34. This demographic is seen as the heaviest spending in
response to television advertising. And the members of this demographic
are the least fond of violent programming. Therefore, the article says,
violence on television has declined at least somewhat in response.
Violence still exists on televison in abundance, however, and the idea of
children watching violent content in the absence of adults is troubling.
Therefore, the article concludes, some reguilation may be in order thoug
the matter is, obviously, wide open for and under considerable discussion.
Perhaps an optimistic word for the teaching of media literacy which
addresses violence in media would be appropriate. But the article does
not deal with the consumer education side of the question.
Ferrington, Gary. What is
media literacy. (1996). On-Line article.
Ferrington says that media literacy began in the 1970s as it was
recognized that non-print media offer unique visual and aural languages.
Understanding the text of a film, television program or advertisement was
important to enlarging the notion of literacy.
But in the 1980s the back to basics movement hurt media education programs
in the U.S. while such education in Europe, Canada and Australia was
expanding.
Particularly in Europe, the trend was away from just encoding and decoding
exercises toward an understanding of the place and role of media systems;
issues of ownership and access--control of information.
At the same time media literacy remained an underfunded area despite a
growing interest in media influences on children.
The author writes that the ubuquity of computer multimedia, cable
television, video games and information networks has again fostered
concerns over non-print forms of communicating. ferrington calls for the
integration of media literacy skills--reading, writing and the symbolic
visual and aural systems--across curricula.
Hobbs,
Renee. Teaching with
and about television: integrating media literacy concepts into management
education. On-Line article.
Hobbs begins with the observation that film and television are so
important to society that understanding them as influencing means of
communication is beyond debate. She writes that the question of media
reflecting society or shaping society has been moribund since the late
1980s because television is now so much a part of culture as to be
inseparable from it.
She notes that the usual matters at issue are questions of the nature of
media content, but, calling on Marshall McCluhan's line of inquiry
regarding formal structures of media and individuals and societies,she
mentions television as a form of communiation (underline "form")and its
influence through
visual biases.
Using visual bias as a for instance, she says educators face some
questions in using media in the classroom. In what ways is watching
television similiar to or different from reading a newspaper or novel?
Does the use of classroom video (in colleges especially where there is a
trend) contribute to the decline of print? What does it mean when we use
modern communication tools? What skills and knowledge must students have
to use video as a means for reasoning, analyzing, expressing and
communicating?
Hobbs says the definition of literacy is constantly being debated, but if
literacy consists of decoding, interpreting and creating messages, then
perhaps reading a film or television show isn't that different from
reading a newspaper or book.
One view maintained that images are symbolic codes, print and non-print.
They are like langauages but rewuie congnitive skills unique to images.
Critics said if unique skills were required to learn the new language, why
did children understand television so easily with no formal instruction?
The skills needed to understand television had to be different from those
needed to learn language.
Hobbs and her colleagues at Babson College spent six years investigating
this among members of the Pohot tribe in Kenya. She concludes that film
and television ar easy to decode because of pre-existing visual and
cognitive skills. The tribal members had no trouble understanding stories
shown on television even when stories were edited and time fragmented
(close-ups, flashbacks, parallel editing techniques).
She says the implications for teaching are enormous--video is a powerful
educational tool anywhere. Video is easily decoded , uses pre-existing
skills, but does not require or develop new skills. The downside is,
again, less reliance on print literacy, a displacing of print literacy to
whatever extent. However, television is still seen as an entertainment
medium by most people, she says, and therefore students must be told to
pay attention to instructional content (whether it be a news program
or an instructional tape from one's employer). Students need to understand
that learning from this entertainment vehicle requires energy,effort and
thought. But, video does engage attention and does, or can, image the
contemporary world, re-create the past, or visualize a projected future.
But, teaching with video isn't an all or nothing proposition. One may use
no video in the classroom; one may use educational films and television
relevant to subject; one may use commercial entertainment film and
television occasionally when relevant to subject area; one may use
educational and commercial entertainment film and television programming
relevant to subject area.
In teaching about media, Hobbs says, it is important to impart critical
skills, for analyzing and creating messages in print, aural, video,
multimedia and other forms. She says that all English-speaking nations
other than the United States are quite consistent in knowing what concepts
are important in dealing with media. Hobbs says the central concepts are:
Messages are constructions. Messages have legal, economic and political
contexts and consequences. Individuals negotiate meanings in media texts.
Conclusions: Visual messages are not difficult to access and process, but
ease of use means a passive approach by viewers. Two matters in the
U.S. remain pertinent--regarding media literacy, what should we teach and
how
best might we teach it.
Key
concepts for teaching
television. On-Line article.
According to this article, the salient points about television are summed
up this way. television is manufactured. Nothing you see is by accident.
Television is commercial. It's primary goal is to show a profit.
Audiences are the product being bought and sold.
Television has social and political implications. Although television is
not real, it can influence behavior. politics is now largely played out
in prime time.
Television transmits values, the values of those producing the television
products.
Television has its own langauge.
Audiences are active. Audiences must participate to some degree while
watching television, even while engaged in other activities. Audiences are
active and make meaning, although not necessarily the meaning or meanings
intended by the television producer.
Television has its own aesthetic form. Pictures override sound.
Form and content are closely related in media experience and both must be
understood and integrated. The above is a partial framework for
addressing and teaching aspects of television.
Postman, Neil. Informing
ourselves to death. On-Line. (Speech given before the German Informatics
Society, 10/11/90, Stuttgart, Germany).
Posting off the title of one of his better known books, Amusing Ourselves
to Death, Neil Postman notes that those in the professions create
vocabularies of jargon to separate themselves from the common folk.
Still, the occassional interloper gains access to the inner sanctums, and
Postman says he is one of these when it comes to computers. He doesn't
know much about computer technology but he knows what technology does to
cultures. It gives and takes and not always equally. There are winners
and losers (teachers, he says, may one day be made obsolete by
television).
Computers have obviously been of great benefit in many areas of endeavor.
But he wonders of what use they have been to the masses. The masses have
been data-based and their lives intruded upon, so they may not be as
enthusiastic about computers as the "winners" would want them to be
(Winners are, of course, those closely involved with computers). Nor is
there a conspiracy, winners versus losers or the average person, because
the winners don't know the future any better than anybody else.
But there is a danger to the computer even if the future is difficult to
predict, says the author. He conducts experiments involving the
dissemination of silly and far-fetched information (mostly concerning
bogus university research projects) to make his point.
And his point is that the world is complex and tough to
understand....nearly incomprehensible, hence anything will be believed
because almost nothing really surprizes us anymore. We have fewer
foundations for our belief systems. Information was formerly a friend but
has now turned against us. The computer did not usher in the information
age but it has continued and greatly expanded the proliferation and
commodification of information. And since we no longer have reliable
ways of grounding ourselves and our world(s) in solid concepts, Postman
says we have trouble assimilating all the data around and about us because
we don't know which of it is relevant to ourselves and our lives.
The information provided by computers is largely useless in terms of
organizing the world or ourselves where it counts in human terms because
the computer cannot provide a moral framework, for instance.
Because computers are designed to handle huge amounts of
information, they have an agenda and a message. True, Postman says, they
are only machines, but because of what they do, they tell us that problems
are solveable through the generation of more information.
Postman laments the lack of energy put into other areas of knowledge
because so much is channelled into computer technology.
Like Clifford Stoll in Silicon Snake Oil Postman asks for more of the
"human" and less of the machine and techology....a theme he hammers home
in his most recent book, Technopoly.
Pungente, John, S.J. Defining media literacy: another point of view.
On-line article.
Shepherd,
Rick. (Oct/Nov., 1993). Why
teach
media literacy. Teach Magazine. On-line article.
Media literacy is an informed understanding of media, a desireable goal
since culture expresses itself through media. Arguments about high and
low culture have generally become irrelevant as aesthetic abstractions.
Ownership, control, representation and ideology are the real elements of
media culture and without "owning" them we cannot master that culture
which is, in fact, our culture. The author notes that the process of
globilization continues and so does the need for understanding media as
protrayers and sometimes as abiters of "otherness."
Students may be easily motivated to study media from personal interest,
and often they may know more about aspects of media than there teachers.
And if they can be motivated, critical thinking and information management
and evaluation skills can be taught over and above simply dealing with
content. Students can be taught and encouraged to become aware of the
time spent with media and how they use video games, television, films and
print media. In terms of critical viewing students may be taught to ask,
for example, what is in the frame...how is it constructed...what may have
been left out. Group analysis and interactivities can be used profitably
along with the creation and production of one's own media
messages. Behind the frame questions must be addressed too, as indicated,
meaning a look at who produces the media experience and for what purpose.
Who profits? Who loses? Who decides? There is an emphacis on social,
economic and political analysis. How do we as members of a society make
meaning and absorb meaning and how do the media help drive the global
economy that webs consumers together?
In an age of images citizens need to know and understand media because of
their ubiquity...everything from television to U. of A. Final Four
T-shirts to billboards to the Internet.
Stempel, G.H. and Hargrove, T. (Autumn, 1996) Mass media audience in a changing
media environment. Journalism and Mass Communication Quarterly, 73/3, pp. 549-558.
Sylvester, Robert. The effects of electronic media on a developing brain.
On-Line article.
After discussing how we apportion our time between the ages of one and 18,
the author makes it apparent that we waste a lot of non-renewable time (on
video games and television among other eletronic marvels)--mass media
accounting for four hours out of the day in the specified age range. In
relation to electronic outlets Sylwester says "Emotion drives attention
which drives learning, memory and behavior..."
The human brain is the best organized three pounds of anything around, he
says, and then he describes how it is organized and how it generally
works. Genetics plays a larger role in brain development and capabilities
than formerly thought; but motivation, experience and training can enhance
genetic characteristics. So, brains adapt to the environments that they
find themselves in.
Sylwester writes of short term memory suggesting that video games appeal
to this form of memory through lack of explicit instructions in a complex
milieu. Foreground information must be chunked into
similarities/differences/patterns reflexively in order to move forward and
not be penalized.
Our long term memory system depends on our success in putting together
long sequences of "...related motor actions into automatic skills," and
"...related objects/events into stories."
Media are important here as they relate to
"conversations/jokes/songs/novels/films/TV/ballet/sports..." and etcetera.
Young people must master these forms of storytelling, says Sylwester, and
media can either help or hinder through their various techniques as
dependent on their various natures.
The author discusses brain anatomy and writes of particular parts of the
brain as important to our response systems. The mass media sometimes
exploit the biology of response by triggering emotions, especially fear.
Advertising attempts to ignite immediate, favorable reaction to a product.
Focus on the bizarre, violent and sexual also engages response systems.
If these become the norm, then the media must escalate the visceral
levels. But, if consumers of mass media product see these media elements
as not the norm, then perhaps electronic experiences could lead to
rational thought and appropriate responses.
Sylwester closes by saying that perhaps what is important is not what the
electronic media bring to the developing mind, but rather what the
developing mind brings to the electronic media.
Tyner, Kathleen. (1994) Access in a digital age. On-line article.
Maybe all of the power--or most of it--does not reside with those who
originate information. leet's remember the consumer of information. the
author writes that as we move from analog to a digital world, "access" wll
be only a first step. Media literacy will encompass the next step,
meaning "...the ability to access,analyze, evaluate and produce
communication in a variety of forms..."
Digital communication means more and more information, with the Internet
an example of a gargantuan flood of data. Mass media used to mean
production by the few for the many. Now it mean production by the many
for the many, on the Internet and elsewhere. Hence the usefulness of
media literacy. Except that media literacy is not really taught in the
United States, Tyner says, the only developed nation where this is true.
But in those places where it is taught there seems to be a consensus
regarding the following: All media are constructs. They are not windows
on the world or mirrors of society. Rather, they are carefully
manufactured products designed for specific purposes. Media are not by
definition real, but they have social, political and economic implications
for policy and behavior. Thus media literacy education encourages
active colloboration between audience and communication process and
message in order to achieve an equal relationship between knowledge and
power and bring about community involvement in the developing age of
digital communication.
Walsh Bill. Mass media and cultural literacy. On-Line article.
Walsh essentially says that we should learn more about media effects and
let them serve our purposes. Let's be active rather than passive.
Many elements derived from thethe popular media have become part of what
Professor E.D. Hirsch in the 1980s christened Cultural Literacy in its up
to date form.
This shouldn't be surprising given the purvasive nature of the media in
daily life (a successful sitcom may garner forty million viewers on a
given evening).
There is no dispute about the importance of media to culture, Walsh
says.
Media literacy and cultural literacy therefore draw closer together. The
danger resides in the audience becoming evermore
the listeners rather than the doers.
JOURNALS.
From Now On: The Educational Technology
Journal.
Journal of
Computer Mediated
Communication.
NOTE that vol. 1, No. 1 of this journal is entirely
devoted to collaborative universities with such articles as "Space,
ollaboration, and the Credible City: Academic Work in the Virtual
University," "Use of Communication Resources in a Networked Collaborative
Design Environment," "A Framework for Technology-mediated
Inter-institutional Telelearning Relationship," and more.
LRC595A