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Friday, April 2, 2004


ASSIGNMENT: Annotated Bibliography (counts as one quiz grade)
DUE DATE: Friday, April 9

In preparation for writing your formal essay for this class, complete an annotated bibliography of two or more scholarly articles using the model below as a guideline. This assignment is a chance for you to get a jump on your research; ideally you would identify the primary texts you are interested in discussing in your essay and then choose articles pertaining to those texts to include in this bibliography. Completing this assignment will also lay part of the groundword for writing your tentative thesis statement and outline due Monday, April 12. You may choose to evaluate any article(s) from the collection on our e-reserve site. If you wish to use an article (or book chapter, etc.) NOT featured in the e-reserve collection, you must submit a photocopy of the document(s) along with your bibliography. Your bibliography should include correctly formatted MLA-style citations as well as descriptions of the articles. If possible, each description should be followed by an explanation of how you anticipate using the article in your essay.

As always, double-space your text, and use 1" margins all around. Click here for an example of the MLA-style essay format. If you have questions, please email me. Your bibliography should not exceed two pages in length.



MODEL ANNOTATED BIBLIOGRAPHY

Your Name

Instructor Audrey Tinkham

English 370B

9 April 2004

                                             Annotated Bibliography of Secondary Resources

Harper, David A. "'Perhaps More Than Enough': The Dangers of Mate-Idolatry in Milton's Samson Agonistes."

Milton Quarterly 37.3 (2003): 139-51. Harper discusses the depictions of women in Samsom Agonistes and

Paradise Lost, arguing that reading Dalila vis-à-vis Eve demonstrates Milton's belief about women: "before

and after the Fall, women have a mysterious excess, an overabundance that makes them dangerous, even to

appointed saints of God," yet these women "are crucial agents of regeneration who force their spouse to recognize

and correct his sin." Harper analyzes Milton's earlier exploration of the nature of women in Comus, and then

turns to an analysis of the "therapy" that occurs between Adam and Eve, and Samson and Dalila. Harper argues

that these two relationships demonstrate "the dangers of mate-idolatry for the unwary patriarch and saint," and

he concludes that women who love overmuch are at the root of both fall and regained glory in these two texts.

Mandelbrote, Scott. "The Bible and Didactic Literature in Early Modern England." Didactic Literature in England,

1500-1800: Expertise Constructed. Ed. Natasha Glaisyer and Sara Pennell. Burlington, VT: Ashgate, 2003. 19-39.

This book chapter examines the way attitudes toward the Bible represented in didactic literature changed during the

seventeenth and early eighteenth centuries. Mandelbrote argues that the Congregationalist minister Philip Doddridge

(1702-51) and other writers of didactic literature were influenced by the Lockeian emphasis on the primacy of sensory

experience; "readers of Locke who were also students of Shaftesbury substituted a pedagogical method that suggested

that delight and the desire for the beautiful might be enough to move the child to a life of religion and virtue."

Mandelbrote argues that William Smith's A New Primer (1661-4) deliberately attempted to "subvert the contemporary

genre of didactic writing" that was most concerned with biblical knowledge for children: the rote learning of

catechetical and related texts for the purpose of remembering what had been read. The Presbyterian Isaac Ambrose

(1604-63) and others emphasized the role of Bible reading as part of a "continuing act of self-analysis." Mandelbrote

further argues that nonconformist readers in the seventeenth century concentrated on "the extraction of personal

meaning from particular texts of Scripture." The interpretation of the written word was increasingly stressed, and it

came to function as "a check on the excesses of preaching." After the outbreak of the English Civil War, an

increased awareness of the Bible "as a collection of stories that could affect the emotions" paralleled changes in

eighteenth-century reading habits such as the development of the novel.




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