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compendium
What's on the bookshelf....Thomas Gold
The Deep Hot Biosphere, Copernicus, 1999.
According to Gold, largely ignored by most biologists, below the
deepest ocean vents, another biosphere exists, much vaster in
biomass than the conventional `surface' biosphere. Far from
some X-Files out-take, this is a clearly
and cogently argued case for more serious exploration of the
nature and consequences of subsurface life. Greg Bear
Darwin's Radio, Del-Rey, 1999. Return to
form for Bear, spooky near-future thriller, reads like a mature
version of his classic Blood Music. Nick Hornby
Hi-Fidelity, Riverhead Books, 1996 and
About a Boy, Riverhead Books, 1999.
Hilarious 30-something angst. Hornby captures something
real about being a single male in the 1990s.
Hi-Fidelity is a sort of `day in the
life' of disaffected small independent record store owner,
who can apparently only see his life (and his recent breakup
with his girlfriend) through the lens of songs from Elvis
Costello to Joy Division. About a Boy
continues the same theme, but introduces an
intergenerational twist. Paul Auster
Leviathan, Penguin, 1993. Retraces the
life of an apparently successful author, reduced to a
destroying (Una-bomber style) minature Statue of Liberty
replicas in small towns across America. David Brin
The Transparent Society, Addison-Wesley,
1998. Brin in scientist-social-commentator mode, rather than sf
author. Interesting speculations on alternative scenarios for
the future of cryptography and survelliance and it's long-term
social impact. Brin avoids the both doom-and-gloom and
Polly-annish extremes and asks some tough questions, like is
strong privacy a desirable way for society to go? Couldn't
encryption end up making big government and big business
less accountable and more powerful ? Give
this book to your favourite rabid cypherpunk... Gregory Benford
Cosm Avon, 1998. Benford has finally
returned to near future science-thriller mode, after many years
crafting the far-future galactic centre novels. I liked them far
less than his earlier works such as Artifact
and Across the Sea of Suns Doesn't quite
live up to the standard of Timescape... but
not a bad read anyway. Greg Bear
Queen of Angels, Warner Books, 1990. Bear
turns his formidable hard science-fiction talents to the small
matter of the human mind. Lots of references to all things nano,
which kind of seem a little hokey in 1998 retrospect, given the
slow progress of this technology in reality. Excellent and taut
reading. John Birmingham
The Tasmanian Babes Fiasco 1997. Is this man
Australia's answer to Douglas Coupland? More Gen-X madness much
in the vein of He Died with a Felafel in His
Hand. There were certainly moments of great hiliarity
and resonance with events in my own life, (especially student
days which are not yet over for some ;-)) but I think John needs
to find a new slant on things for any third effort. Tim Winton
The Riders, Schuster, 1994 Booker prize
nominee in that year. The Riders is a dark
story of a man's obsession with his vanished wife. Whilst the
writing is fine and it certainly is a compulsive page-turner,
somehow I came away feeling singularly
dissatisfied. John Horgan
The End of Science, Little Brown and
Co.,1996. Don't believe him! This is one bitter man with an axe
to grind.... Worth reading only for some priceless character
sketches. Peter Hoeg,
Miss Smilla's Feeling for Snow, Flamingo,
1995. Fantastic read - chilly and bracing much like the
heroine's native Greenland. Greg Egan,
Distress, Millenium, 1995. In an imaginary
near-future, an African physicist is on the cusp of the true
"TOE" - theory of everything - excellent stuff from an
Australian sf writer. Realistic characters, tight narrative,
strong science and philosophy - maybe Egan and Horgan should chat
sometime. William Irwin
Thompson Imaginary Landcapes,
1988. Ever wondered how the Gaia hypothesis, chaos dynamics and
the immune system were connected? Philosopher and poet Thompson
weaves an amazing landscape from extraordinarily disparate
threads. Highly recommended. Nicholas Royle
Saxophone Dreams, Penguin, 1996.
Europe. 1989. Revolutions. Jazz. Surrealism. A handful of jazz
musicians from Norway, England, Romania and Czecholslovakia find
themselves mysteriously transported to unusual locations whilst
the turmoil of revolutions whirls around them. Are the works of
Belgian painter Paul Delvaux somehow connected and related?
Richard Powers
Galatea 2.2, Abacus,1995. Complex
and dense story of a man training a computer to read (and falling
in love with his creation) whilst trying to come to terms with
his own real life loves; a sort of cyber-era
Pygmalion. Mostly fascinating but
occasionally turgid; I found myself sometimes wanting to skip
ahead to the "good bits". I think I preferred his
previous novel, The Goldbug Variations.
John
Holland Hidden Order: How Adaptation Builds
Complexity, Addison-Wesley, 1995. Co-founder of the
field of genetic algorithms writes clearly and concisely about
the emerging science of complex adaptive systems. There's a good
sense of a wider social perspective which makes the work suitable
for a scientifically-curious but non-specialist audience, but
this still leaves plenty of meat in this for those working in the
field.
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