• "Tradition and Modernity in Nineteenth-Century Mexico," in: Deborah Cherry and Janice Helland, eds., Studio, Space and Sociality: New Narratives of Nineteenth-Century Women Artists, Ashgate Press, forthcoming in 2006.
• Spanish translation of "Assimilation and Body of the Nation: Mestizaje and Gender" in: Crítica feminista en la teoría e historia del arte,compiled by Inda Sáenz Romero and Karen Cordero Reiman, Mexico: UNAM, Gender Studies Program, in press.

In Preparation:

• "Reversals of Fortune: Painting and Modernity in Late-Nineteenth Century Mexico City," in: William H. Beezley, ed.

Recent Publications:

• "Introduccion" and "Modernizando el pasado: la recuperación de arte y historia del arte, 1860-1920," in: La Amplitud del modernismo y de la modernidad, ed. Stacie G. Widdifield, Vol. 2 of Hacia otra historia del arte Mexicano, Mexico: Conaculta, 2004.
• "Manuel Tolsá's Equestrian Monument to Charles Iv; Art History, Patrimony, and the City," Journal X., vol. 8, no.1, Autumn 2003, pp.61-83.
• "The Body of History in Nineteenth-Century Mexico," Quaderni, no. 7, 8th Biennial Meeting of the Milan, June, 1996."
• "El indio re-tradado," in: in De la estructuración colonial a la exigencia nacional (1780-1860) , Esther Acevedo, ed., Vol. 1 of Hacia ora historia del arte Mexicano, Mexico: Conaculta, 2001, pp. 241-256.
• "El impulso de Humboldt y a la mirada extranjera sobre México," in De la estructuración colonial a la exigencia nacional (1780-1860) Esther Acevedo, ed., (Vol. 1 of Hacia ora historia del arte en México), Mexico: Conaculta, 2001, pp. 257-271."
• José María Velasco," St. James Guide to Hispanic Artists, Farmington Hills, Michigan, 2001.
• "Art and Architecture, 19th and 20th Centuries," Oxford Encyclopedia of Mesoamerican Culture, Elizabeth H. Boone, ed., 2001.
• Review of: Juan García, ed., Mexican American Women, Changing Images in: Perspectives in Mexican American Studies, vol. 5, 1995 and Brenda Jo Bright and Liza Bakewell, eds., Looking High and Low: Art and Cultural Identity, Tucson, University of Arizona Press, 1995 in: Signs, Journal of Women and Culture in Society, Summer, 1998, pp. 1093-1095.
• "The Visual Culture of Nineteenth-Century Mexico," in The Encyclopedia of Mexican Culture, Chicago, Fitzroy Dearborn, 1998, pp.1568-76.
• The Embodiment of the National in Late Nineteenth-Century Mexican Painting Tucson, University of Arizona Press, 1996.

• 2001 Nominated for Leicester and Kathryn Sherrill Creative Teaching Award (University-level award)
• 2001 College of Fine Arts, Grant for Research Assistant, University of Arizona
• 2001 Office of Summer Session, Grant for Development of On-Line Web Course, University of Arizona
• 2001 Association for Women Faculty, Travel Grant, University of Arizona
• 2001 Latin American Studies, Travel Grant, University of Arizona
• 2001 Foreign Travel Grant, University of Arizona
• 2000 Excellence Award, School of Art, University of Arizona
• 2000 Dean's Scholar, College of Fine Arts, University of Arizona
• 2000 University of Arizona Foundation Grant
• 1999 Foreign Travel Grant, University of Arizona
• 1999 Art Department, Travel Grant, University of Arizona
• 1999 College of Fine Arts, Summer Incentive Grant, University of Arizona
• 1998 Excellence in Teaching Award, College of Fine Arts, University of Arizona
• 1998 Contemporary Authors (author citation)
• 1998 Latin American Center, Small Grant, University of Arizona
• 1998 Fondo Nacional de la Cultura, Mexico (publication grant)
• 1998 Faculty Development Grant, University of Arizona
• 1998 Latin American Center, Small Grant
• 1998 Art Department, Travel Grant, University of Arizona
• 1997 Vice-President for Research, University of Arizona, Small Grant,
• 1997 Latin American Studies, Small Grant, University of Arizona
• 1996 Instrucional Computing Grant, University of Arizona
• 1996 College of Fine Arts Course Planning Grant, University of Arizona
• 1996 Faculty Development Connectivity Grant, University of Arizona
• 1995 Provost's Author Support Fund, University of Arizona
• 1995 Millard Meiss Publication Subvention, College Art Association

• "Lithography of the National: replicating Mexico in the Nineteenth Century," Oaxaca Summer Institute on Modern Mexican History, Oaxaca, Mexico, July, 2002.
• "Modern Mexican Women Artists," NEH Summer Institute on Hispanic Gendering of the Americas: Beyond Cultural and Geographical Boundaries, Arizona State University, July 2002.
• "Lithography in Nineteenth-Century Mexico: the contribution of printed images to national culture," University of Arizona Museum of Art, April, 2002.
• "Pulque and Indias: Colonial and Modern," response to: Reproducing Mexico: Visual Culture, Gender, and Political Society, College Art Association Annual Conference, Philadelphia, Pennsylvania, February, 2002.
• "Manuel Tolsá's Equestrian Monument to Charles IV (1796-2000): the political economy of patrimony," Images of Power: National Iconographies, Culture and the State in Latin America, University of London, Institute of Latin American Studies, London, 2001
• "The City of Mexico &endash; Images and History," Oaxaca Summer Institute on Modern Mexican History, Oaxaca, Mexico, 2001
• "Gender and Modernity in the epoch before Kahlo'" Southwest Council on Latin American Studies, Santa Fe, New Mexico, 2001
• "The Wild Ride of Charles IV, Politics and Patrimony in Modern Mexico,' Latin American Area Studies, UA, Brown Bag Lecture Series, April 2001.
• "The Jacques and Natahsha Gelman Collection" Phoenix Art Museum, 2001
• "Nationalism and Nineteenth-Century Mexican Art," Oaxaca Summer Institute on Modern Mexican History, Oaxaca, July, 2000.
• Gatorman Finisher (three mile ocean swim, La Jolla, CA) September, 1999.
• "Bonjour Amigos: the Afrancesamiento of Mexican Elite Culture, 1880-1920," Cultural History and International Relations, Institut D'Anglais, Université Paris, VII, Paris, June 5, 1999.
• "Conflicting Cultures in Turn of the Century Mexico," University of Chicago, Workshop on Modern Visual Cultures of Latin America, April 9, 1999
• "Comments on National Culture," in: "Fashioning the Nation: History Painting and Nationalist Fictions in Spain and the Americas, 1492 to the Present," Annual Meeting, College Art Association, Los Angeles, February 12, 1999
• Gatorman Finisher (three mile ocean swim, La Jolla, CA) September, 1998
• "19th and 20th-Century Mexican Women Artists," Cal State Fullerton, November, 1997
• Chair, Business Meeting of the Association for Latin American Art (ALAA) at College Art Association, New York, February, 1997
• "Nineteenth-Century Mexico Looks at the Colonial Period," Converging Cultures: Art and Identity in Spanish America, Symposium, Phoenix Art Museum, January, 1997
• Gatorman Finisher (three mile ocean swim, La Jolla, CA) September, 1996
• "Michaelangelo Meet Moctezuma: Arts History's Methods," Friends of the University of Arizona Library, a collaborative presentation with Dr. Pia Cuneo (University of Arizona), Tucson, November, 1996
• Guest lecturer on the Aztec "Teocalli de la Guerra Sagrada" for the internet course: "World Art" taught by Dr. Arthur Bourgeois, Governor's State University, Illinois, Fall 1996
• Lecture: "The Embodiment of the National in Late Nineteenth-Century Mexican Painting, Latin American Studies, San Diego State University, October, 1996
• Sabbatical, Fall semester 1996
• "The Body of History in Nineteenth-Century Mexico," 8th Biennial Meeting of the Milan Group for U.S. History, Milan, June, 1996
• Co-chair with Fatima Bercht, "State of Research in Modern Latin American Art," research session of the Association for Latin American Art, Boston, February, 1996
• "Esa Pobre Mujer: Narrating the History of Women Artists in Modern Mexico," Women's Studies Department, Case Western Reserve University, October, 1995
• "The Velada of Mid-Nineteenth-Century Mexico," Seeking a Cultural Ideal in the Salon, Annual Meeting, Group for Early Modern Culture Studies, Dallas, TX, October 1995
• "The Landscapes of Nineteenth-Century Mexico," for symposium in conjunction with The Mexican Landscape; a traveling exhibition, Tucson Museum of Art, September ,1995
• "Modern Women Painters in Mexico and Brazil," in conjunction with the traveling exhibition, Latin American Women Artists, 1915 -1995, Phoenix Art Museum, July, 1995
• "Perspectives on 20th Century Women Artists in Mexico," Museo de San Carlos, Mexico City and Museo de Arte Contemporáneo, Monterrey, Nuevo León, Mexico, April 1995

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  Reviews and Citations:

• Benjamin, Thomas, La Revolución, Mexico's Great Revolution as Memory, Myth and History, Austin: University of Texas Press, 2000. Bibliographical reference to: The Embodiment of the National in late Nineteenth-Century Painting, Tucson: University of Arizona Press, 1996, p. 556-557.
• Fernández, María, Review of: The Embodiment of the National in late Nineteenth-Century Painting, Tucson: University of Arizona Press, 1996 in: Hispanic American Historical Review, vol. 70 (no.3), 1999, pp.556-557.
• Fares, G. "The Embodiment of the National in Late Nineteenth-Century Mexican Painting," in" Chasqui 28 (2), November 1999, pp.103-108.
• Segre, Erica, "An Italicised Ethnicity: Memory and Renascence in the Literary Writings of Ignacio Manuel Altamirano," in: Modern Language Studies vol.36 (no.3) 199-2000, pp.266-278. Note 27, p. 277: reference to The Embodiment of the National in late Nineteenth-Century Painting, Tucson: University of Arizona Press, 1996.
• Legouvey, Marie, Review (in French) of: The Embodiment of the National in Late Nineteenth-Century Painting,, Tucson: University of Arizona Press, 1996 in: Histoire et Societes de l'Amerique Latine, no. 11, 2000-2001, pp, 207-217
• "Suggested Readings," in: Beezley, William H. and Linda A.Curcio-Nagy, Latin American Popular Culture, an Introduction, Wilmington, Del: Scholarly Resources, 2000; refers to: The Embodiment of the National in Late Nineteenth-Century Mexican Painting, Tucson: University of Arizona Press, 1996.
• The Embodiment of the National in Late 19th-Century Painting, University of Arizona Press, 1996; cited in: Jesse Lerner, "On the Travels of the Chacmool," in Architectural Design, 1999, pp. 16-21, note.
• Cuevas Wolf, Cristina, "Guillermo Kahlo and Casasola, Architectural Form and Urban Unrest," in; History of Photography, vol. 20, no.3, Autumn 1996, pp.196-207. Note 11 cites my Phd Dissertation, National Art and idenitty in Mexico, 1869-1881 ( UCLA, 1987).
• "Dispossession, Assimilation and the Image of the Indian..." Art Journal, Summer, 1994 listed in "Selected Bibliography," Converging Cultures: Art and Identity in Spanish America, Diana Fane, ed., NY: Brooklyn Museum, 1996. (major exhibition catalogue on Colonial Art by 8 scholars).
• Sullivan, Edward J., "Historical Perspectives," Aspects of Contemporary Mexican Painting, NY: Americas Society, 1990, note 5, refers to my "Dispossession, Assimilation...," Art Journal, vol. IV, no. 2, Summer 1990.
• Vázquez, Oscar E., "Translating 1492: Mexico's and Spain's First National Celebrations of the "Discovery" of the Americas," Art Journal vol. 51, no. 4, winter 1992, note 5, refers to my Ph.D. dissertation, National Art and Identity in Mexico, 1869-1881.
• Gruenwald, K. and C. Mitchell, "A List of Dissertations," Western Historical Quarterly, vol. 19, no. 3, p. 313: lists my dissertation, National Art and Identity in Mexico, 1869-1881.

  ---

  Recent and Selected Intramural Presentations and Service:
• TV appearances on KUAT for the "Jacques and Natasha Gelman Collection of Modern Mexicxan Art" (exhibition at the Phoenix Art Museum, Spring 2001): Arizona Ilustrated, (4/16/01); Reflexiones( 4/21/01).
• Presentation on art historical methods and research for: Research Methods in Architecture, /Prof. B.Jeffery, College of Architecture, February 1999
• Presentation on art historical methods and research for: Research Designs & Methodology, Prof. M. Waterstone, Comparative Culture and Literary Studies, April 1999"
• Web Instruction for Large Classes," Graduate Assistants in Teaching Orientation, University Teaching Center, August 1999
• "Aztec Art, part Deux: the Modern Contexts of Pre-Columbian Art," for Building Academic Community Speakers Series, March, 1999
• Reviewer, Small Grants Program, Office of the Provost, Grant Review Committee, 2000 and 2001
• Reviewer, New Learning Environments Grant Program, 2000
• Latin American Studies Faculty, 1987- present
• Latin American Studies Executive Committee, 1990-2002
• President, Association for Latin American Art, 1996-2001
• Grant reviewer, Getty Grant Program, 1999
• Multiple committee assignments for the Division, School, College and University
• Multiple assignments as chair and member of MA and Phd Committees

Affiliations:

• College Art Association (ALAA)
• Association for Latin American Art (ALAA)
• Latin American Studies Program ,University of Arizona
• United States Masters Swimming (USMS): USMS Nationals, 1650 scy freestyle (4th place age group), April 2003.,
• Cheseapeake Bay Swim (4.5 miles), June 8th, 2003.
• Latin American Studies Association (LASA)