G.C. Waldrep / Diacritical
Remarks
Meaning is being in a charged
environment and making a choice. Meaning has in fact been held
hostage there since the thaw of the last ice age.
The ropes have begun to fray, a bit, but still they hold tightly, the
way music holds a piano to its cardboard stage. Meaning keeps
making
a choice—many choices— but nothing comes of it: the hedgehogs
keep slaloming down the Chiltern Hills, deforestization in Sarawak
proceeds apace,
and attendance at the night auction keeps growing. The question
of whether Caspar really doubled as the invisible spice merchant goes
unanswered.
Some of us rebuilt London. Dili burned. Meanwhile, deep in
its arctic cavern, Meaning is flexing its muscles. Meaning is
working out the last decimals
of Zeno's paradox. Meaning is planning a cruise. Dearest
partisans of pulchritude, gnosis, & light, the General Slocum will not be
docking. Meaning has
all the time in the world and refuses to give us any. It's
trickle-up economics. At the night auction Henri Bergson is
serving up another faux Vermeer.
This one, like nearly all the others, features a domestic scene.
Meaning's long shadow falls across the canvas. It's impossible to
know the details
of the composition. It's impossible to know who cancels the
stamps. Meaning at one point expressed a considerable interest in
philately.
Meaning premeditates. Meaning is on its way home.
CUE: A Journal of Prose
Poetry
Winter 2006 Issue III, Volume 1